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l-in-the-light · 6 months ago

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Facing your own abyss in Silent Hill 2

Every save point is a red square. Looking at it is painful it's like... someone's... groping around my skull. Every hole James jumps into...

...is a square. The tv at the big reveal is an old crt one with a square screen.

Even the bathroom's mirror at the very beginning of the game is a square. Who cares about a bathroom's mirror, right? But the whole game starts with James staring at himself, into that mirror. He's staring at himself. Staring into the abyss. His mind is his own abyss. We've been looking at it the whole time, from the very start of the game.

"He who is not bold enough to be stared at from across the abyss is not bold enough to stare into himself. The truth can only be learned by marching forward."

James starts the game by staring at himself. He's not afraid of death. He thinks he wants to find out the truth, because things don't make sense to him, he can't understand anything, but he feels something is wrong.

But at the last save point, James looks away from the abyss. He was not ready to find out everything. He doesn't want to look into himself even deeper. He's afraid of what he can find. Please stop staring at me, I don't want for you to look into myself. I don't want to see any more.

A hot take: there's nothing wrong with that. Sometimes it might be better not to stare too long. Heck, it takes so much courage to do that. Many, many people would rather continue their lives by holding false ideas about oneself, choosing safety over feeling uncomfortable. It's a very human thing to do. Just sometimes you don't get that choice and you can't live normally unless you not only stare back, but also jump right into that abyss. It will be terrifying, you might find things you wish you never knew, you might find out nothing of what happened to you was ever your fault, but it won't make you feel any better anyway. It's when you're at your limit that you're literally forced to face it, when you buried what made you uncomfortable so deep that you feel overwhelmed and numbed, and you don't even understand why - because you hid the reasons. Or you can just run away. Some would prefer death over the truth.

This can happen because of our mental health crashing down. Unresolved traumas, feelings, belittling our own pain, trying to fit a circle into a square hole, unbelonging.

Ultimately, it doesn't even matter what is James' personal struggle, because anyone can relate to this in some ways. You can't escape abyss for forever, we've all been there and we all will be jumping into abyss again, and again.

But this has to be said, I'm sorry not sorry:

Sometimes you will get lost in your abyss to the point you will project your own issues on other people. It's a way to make you feel more secure, safe, when you tripped over some uncomfortable truth. Because you normalize it and it can't be overwhelming anymore if everyone can relate to it, in other words: you try to belittle the problem so that the "uncomfortable feeling" goes away. It becomes normal, familiar, tamed, nothing to be afraid of as the result. But is it really fair towards the people you did the projecting on? You're not helping them or respecting them if you just throw your own issues at them like that. And this applies to Silent Hill fandom as a whole, actually, because:

Every Silent Hill game (even the bad ones, even freaking Ascension) and movie: *shows clearly that the story is about PTSD, characters suffer from symptoms and hallucinations, are triggered by sounds, suffer from victim blaming etc.*

Every second fan on reddit: James is just sexually frustrated, he doesn't have any trauma, and even if he has one it doesn't matter, what are you talking about?! You're reaching! Everything is horny and sexy in this game, my interpretation is CANON! The town is evil and it punishes James and Eddie because they're bad people! Angela did a bad thing but didn't deserve it btw.

This is mostly me venting a bit, feel free to dislike it, but I need to get it off somewhere and I decided: tumblr it is.

Like, literally, all Silent Hill series entries share a theme of PTSD, but some people will go to extreme lengths to deny it and call it "reaching" WHILE saying "sexual frustration is canon". Alessa suffers from PTSD in SH1, James, Eddie and Angela suffer from it in SH2, freaking Heather, Claudia and even Douglas suffers from it in SH3, Henry and Walter in Silent Hill 4, Travis in Origins, Alessa in the movie, Heather in the movie, Cheryl in Shattered Memories (she's even in a therapy, come on, get a clue!), Alex in Homecoming, Murphy in Downpour etc. etc. etc. They all went through a trauma, Silent Hill reflects their traumatic experiences (that they don't want to remember!), they have to face their triggers putting them through the traumatic event again and again, and then delusions attemping to lull the mind into a fake sense of comfort. Their monsters are the delusions, not their horny desires!

Btw if you see your monsters as horny creatures, then maybe you're understanding it all wrong. It's supposed to be a delusion or fear, if you're horny and just want to hump things and that's why everything you see is sexy, then it's definiely not something you actually fear, and if it is, then I think you have bigger issues to deal with than sexual frustration here.

That being said, the creature monster designer, Masahiro Ito, called those monsters "delusions". Delusion is something that isn't an accurate representation of a concept in your mind. Delusion is far removed from reality. You want to believe a lie, because you can't handle the truth.

Now, if monsters are showing your sexual frustration that you don't want to admit you have, then they should be dressed like nuns instead. You want to deceive your mind, you want to believe you're not *that* horny and are faithful to your one and only, you can't handle the possibility that you're thinking of having an affair on the side.

Let's unpack this monster (Abstract Daddy/Ideal Father), having all of the above in mind:

It's a surreal creature consisting of two people, it has two heads and two mouths. And it's not literally showing intercourse like so many in "sexual frustration is canon" camp are claiming. Because that would be *a literal representation*, not a delusion. You would literally be seeing what happened, forcing you to face it in it's full horror and that can't make you believe in a lie (remember, the idea is that: you can't handle the truth, your mind is creating a delusion to calm you down). It's a self-defense mechanism fighting back against the trauma. You need to get rid of that delusion so you can face what actually happened!

There's one more description of Abstract Daddy in Japanese that is never truly translated into english. It's おぶさったとおちゃん (obusatta tōchan), loosely it means something like "piggyback daddy"; a dad carrying a child on their shoulders/back. Now look at the creature again. It looks like a smaller person is clinging to a bigger one, if you consider that the whole frame belongs to the person on the bottom and is "their body". Perhaps the door/bedframe person is carrying the smaller one on top of itself, but since the child is heavy/older now the frame ends up bending towards the ground. It's an image of a dad carrying his child.

Kinda like this (Inu Yasha is here just to illustrate the concept). That's why the limbs are hanging loosely like that on the monster's design.

Wait a moment, but why is the frame so big under the top person? It doesn't look like part of a body at all. That's because of the subjective perspective. When you're a small child, your dad looks especially big to you. When you cling to his back, you feel like it's so broad, strong and big; so big your hands won't meet when you embrace him. And most importantly, makes you feel safe and secure, because a father should protect his child. I could swear I even read lines like that in mangas or heard them in movies before, because that's definitely not my own impression there I thought up on my very own.

In order to see the truth that your parent was an abuser, you need to get rid of that "safe and secure" feeling of delusion you're experiencing. The monster is wrapped in cloth btw to obscure the truth, what you see on the surface is incorrect, the truth is trapped underneath (and if you want to, then NOW is the moment to jump to your intercourse thoughts or draw a parallel to Mary on sickbed. Let's call it an extra layer to this monster). Literally uncovering it would be the very definition of a horror.

Extra thought: the monster attacks James like it wants to protect Angela from the possible stranger (what an Ideal Father should do, indeed). Makes the whole scene afterwards have a lot more sense too, with Angela calling James a disgusting pig who is also only after "one thing". She considered James a threat, but it wasn't a conscious fear until the defeat of the monster. Next time they will meet, Angela starts to mistake James as her mom instead, so the whole paranoid delusion of James being a threat (because he's a male and males became her PTSD trigger) got dissolved and it's the result of Abstract Daddy's defeat. Angela now knows who was the real threat.

Finally, after 10+ years I solved the mystery of Abstract Daddy. You're welcome if you enjoyed the ride. I don't even like this monster's design all that much (I find Mandarins way cooler). But this isn't the end. If Abstract Daddy is a delusion, it means all the other monsters are also delusions and HIDE the truth, not "expose" or "manifest" it in straightforward manner. Only getting rid of them by unwrapping the actual thing underneath will lead you towards truth, believing the surface level will leave you delusional. There's still a lot to unwrap about the 9 delusions of James.

Yes, Abstract Daddy is how the monster looks like for James. We never knew how it looked like for Angela. Just the name alone suggests James has some trauma related to his father as well, which is a link that connects James to Angela.

And you know what, it's fine if you thought all this time that James is just sexually frustrated. I don't know how you can explain to yourself the fact that he needs to fight the sexy creatures instead of being overjoyed he can "'get some" finally. I thought that's how touch starvation works? But even if you somehow projected your own fears onto James it's alright. You just caught a glimpse of your own abyss and maybe you're not yet ready to stare back at it. We all keep doing those mistakes. It's just human.

Yes, of course me too. Why else do you think it took me 10+ years to solve this mystery? And it's only a start of it, we barely made it under the surface of this iceberg. But I feel like most Silent Hill fans aren't even remotely interested in any interpretation that opposes "sexual frustration" angle, especially now after Masahiro Ito denied that's it's not a canon interpretation, yeeting it back to "headcanon" category where it always belonged.

Yes, sexual themes are there in the game to make you uncomfortable, but if you know the sources of inspiration (Jung), then you know the uncomfortable levels get much deeper than your post-pandemic touch starvation. Maybe you're not ready or not interested to go that far and it's alright. I'm actually not so sure I'm ready to face the deepest depths of James's abyss myself. It both fascinates and terrifies me. We might have to go full Lynch on Silent Hill 2 and realize that nothing is what it actually seems.

Link to my previous interpretation essay on Silent Hill 2, in case anyone is interested (it's about merging of Otherworlds): https://www.tumblr.com/l-in-the-light/765829615005597696.